Neo-Psychedelic audio is actually any group after the 60's/70's that made a Psychedelic sound. As a result of modernization and large number of new styles, these companies never made true Psychedelia. These were Neo. A lot of people know the customers of this group under the moniker XTC. XTC wanted to produce several files to pay respect to Psychedelia, but it wouldn't jive using their electro disco grooves. Stick The Dukes of Stratosphear.
They certainly were a blip on the screen, releasing a mini-album ("25 O'Clock") in 1985 and the full length ("Psonic Psunspot") in 1987. One small lovely artifact: in the credits of XTC's "Skylarking" album, the group thanked The Dukes for loaning them their guitars. A short-lived group, effective between 1981 and 1988 (but also lately reformed in 2012), The Water Parade came out from the Paisley Subterranean world in Los Shroom Capsules.
Jangly guitars dominate the range, harking to early Green Floyd, The Who, and mid-career Beatles. A little more toned down, yet good inspirational music. Inspiration for what? You function as judge. Mainly significant for the teaming of The Cure's Robert Smith and Siouxsie and the Banshees' Steven Severin, that is New Trend Psychedelia. Named following the flying glove in The Beatles' "Orange Submarine" movie.
The Glove put out just one record, "Blue Sunshine", named after the fear film of the same name where people have a form of LSD named "Orange Sunshine" and carry on a kill spree. One of many weirdest in that bunch. LPD are an Anglo-Dutch group initially from London, transferred to Amsterdam. They've put out 40 pictures, all more or less out of the mainstream. However, they do have a subsequent and tour regularly. Their 80's result is largely synthpop based Psychedelia. Great 80's/60's crossover.
Another Paisley Underground group and light emitting diode by Steve Winn, the Syndicate was an 80's version of The Velvet Underground. Noisy, organic guitars along with smooth bass and reverbed drums, Steve Winn rocked out together with his sock out, meeting instant accomplishment in L.A. Nevertheless, they seemingly began having issues with commercial accomplishment very soon to the gig. They opened for R.E.M and U2, as well. Alas, the important label didn't like a test of theirs, "Slide Away", and they remaining A&Michael Records. Apt title.
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